The Broker Film Poster Explained: Klaus Kremmerz on Capturing Kore-eda’s Story

"Broker" is a beautiful new film by the Cannes Palme D'or winning director Hirokazu Kore-eda. The poster art for Picturehouse Cinemas illustrated by Klaus Kremmerz features key moments from the film illustrated in Klaus' distinctive style.

Broker Film Poster

Klaus has distilled the film into a sequence of quiet, narrative beats—almost like a storyboard of emotional turning points rather than literal scenes. The key moments represented in the poster are:

  • The baby box moment
    A lone figure stands at a window in the rain—this reflects So-young leaving her child, the inciting act that sets everything in motion.

  • The city intersection
    A slightly disorienting urban junction—suggesting the moral ambiguity and tangled paths of the illegal adoption network.

  • The cable car journey
    Two characters suspended above the city—an in-between space, echoing the uncertain relationships forming within the group.

  • The countryside with wind turbines
    Open landscapes and travel—pointing to the road trip structure and the search for a new home.

  • The seaside pause
    The group կանգing together at sunset—arguably the emotional core of the film, where the idea of “family” quietly emerges.

  • The van on the road
    The recurring image of movement—representing both escape and pursuit, as they are followed by detectives.

What’s smart about it:
Klaus avoids plot-heavy moments and instead selects transitional, reflective scenes—the spaces between action where Kore-eda’s films actually live.



“BROKER’ FILM SYNOPSIS

On a rainy night in Busan, So-young (Lee ‘IU’ Ji-eun) leaves her baby Woo-sung outside a ‘baby box’, a safe place set up in Korean churches for new mothers to leave unwanted infants. Instead, he’s picked up by Sang-hyun (Parasite’s Song Kang-ho) who runs an unofficial adoption brokerage and plans to find him a new home.

So-young tracks down both Sang-hyun and his business partner Dong-soo (Gang Dong-won) and decides to join their pursuit (alongside a seven-year-old stowaway from a nearby orphanage), but as they search for Woo-sung’s new family, the unlikely group evolves into something of a family themselves – unaware they’re being tailed by two detectives (Doona Bae, Lee Joo-young) who are determined to stop them.


Heartwarming, funny and moving, Broker is the outstanding new film from Hirokazu Kore-eda, the acclaimed director of Shoplifters.

A wonderful collaboration with the @picturehouses Production team. Thank for the trust and the opportunity.

Thanks also to Hirokazu Koreeda for approving Klaus' artwork.


Discover Broker at www.broker.film, and explore more work by Klaus Kremmerz at dutchuncle.co.uk/klaus-kremmerz

Dutch Uncle

Dutch Uncle is an award-winning international illustration and animation agency founded in 2006 by Helen Cowley. With offices in London, New York, and Tokyo, we operate across every major timezone, connecting the world's most ambitious brands with exceptional global creative talent.

Over nearly two decades, Dutch Uncle have built one of the most decorated artist rosters in the industry. Our artists have produced Gold Clio and Cannes Lions award-winning work for clients spanning fashion, luxury, fintech, tech, healthcare, and publishing. We have collaborated on prestige illustration and animation projects for global leaders, including Hermès, Burberry, Chanel, Louis Vuitton, and Rimowa, as well as Apple, Google, Mercedes, Netflix, Pfizer, AstraZeneca, The New York Times.

We represent illustrators and animation directors who lead their fields in conceptual thinking, visual intelligence, and craft. Artists whose work cuts through algorithmic sameness to deliver genuine cultural impact.

Beyond our core roster, we also draw on an international network of talent across five continents to meet the scale and complexity of any brief.

Dutch Uncle operates as a full-service creative production partner, managing everything from artist sourcing and briefing through to licensing, copyright, animation production, and final delivery.

We specialise in complex, multi-market projects that demand creative precision and seamless execution. Whether that is a single editorial commission, a suite of high-impact social media assets, or a global animated campaign.

For nearly twenty years, the world's leading agencies, publishers, cultural institutions, and brands have trusted us to bring their most ambitious work to life.

https://www.dutchuncle.co.uk
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