CARA: A New App by Artists, for Artists

In the ever-evolving landscape of social media, illustrators have long sought a dedicated space to share their work without the complications imposed by large platforms. Recently, a new app called CARA, created by the renowned artist-photographer Jingna Zhang, has emerged as a promising solution tailored specifically for the art community.


Artists Profiles on CARA


Key Points About CARA:

  • Creator Background: Jingna Zhang, also known as Z Motion online, is the brain behind CARA (cara.app). Her impressive resume includes features in Vogue, Elle, and Harper's Bazaar, and she was listed on Forbes 30 under 30 Asia in 2018.

  • Addressing Artist Concerns: Many artists have experienced a decline in engagement on Instagram and have grown frustrated with how their content is managed. Issues like non-chronological feeds, algorithm manipulation. Unauthorized AI scraping has recently become a major drive for illustrators to seek alternative platforms.

  • AI Scraping Issues: A significant grievance among artists is the unauthorized use of their work for AI training by platforms like Instagram. While opting out is possible, the process is cumbersome and only applies to future content, leaving past works vulnerable.

  • CARA’s Unique Features:

    • Protection Against AI Scraping: CARA stands out by partnering with Glaze, a program designed to protect artworks from being scraped for AI datasets. This feature is a major draw for artists concerned about unauthorized use of their creations.

    • Artist-Centric Design: The platform's design reflects the needs and preferences of artists, offering a space that feels more authentic and supportive compared to larger, profit-driven social media companies.

  • Initial Challenges:

    • Performance Issues: As CARA has grown rapidly, with its user base surpassing 650,000, the platform has experienced some technical issues, including slow performance and occasional crashes. These are attributed to its grassroots nature and the financial constraints of being funded primarily by Jingna herself.

    • Community Support: Users are encouraged to support the platform through donations, helping it cope with the increasing traffic and further development.

  • Future Prospects:

    • Expansion and Inclusivity: There is potential for CARA to open up to a broader range of users, including animators, photographers, and individuals seeking to share personal memories without the risk of AI scraping.

    • Subscription Model: An optional subscription model could be introduced, allowing users to support the platform financially while receiving recognition for their contributions.

  • Continued Use of Instagram: While many artists have started using CARA, they still maintain a presence on Instagram due to its vast reach. However, they are now starting to post "glazed" images to protect their content.



Conclusion:

CARA represents a significant step forward for artists seeking a dedicated, supportive, and protective platform. As it continues to grow and evolve, it has the potential to become a major hub for the art community, providing a much-needed alternative to mainstream social media. For now the usability and reach, even with Instagrams manipulated algorithm, lags behind its main competitor. It’s early days and CARA is still in Beta mode, but recently gaining some serious traction.

We in the art world watch with anticipation as CARA develops, hoping it will become a lasting solution for the unique needs of artists everywhere. Thank you Jingna Zhang for giving the world of illustration an alternative option.

Dutch Uncle

Dutch Uncle is an award-winning international illustration and animation agency founded in 2006 by Helen Cowley. With offices in London, New York, and Tokyo, we operate across every major timezone, connecting the world's most ambitious brands with exceptional global creative talent.

Over nearly two decades, Dutch Uncle have built one of the most decorated artist rosters in the industry. Our artists have produced Gold Clio and Cannes Lions award-winning work for clients spanning fashion, luxury, fintech, tech, healthcare, and publishing. We have collaborated on prestige illustration and animation projects for global leaders, including Hermès, Burberry, Chanel, Louis Vuitton, and Rimowa, as well as Apple, Google, Mercedes, Netflix, Pfizer, AstraZeneca, The New York Times.

We represent illustrators and animation directors who lead their fields in conceptual thinking, visual intelligence, and craft. Artists whose work cuts through algorithmic sameness to deliver genuine cultural impact.

Beyond our core roster, we also draw on an international network of talent across five continents to meet the scale and complexity of any brief.

Dutch Uncle operates as a full-service creative production partner, managing everything from artist sourcing and briefing through to licensing, copyright, animation production, and final delivery.

We specialise in complex, multi-market projects that demand creative precision and seamless execution. Whether that is a single editorial commission, a suite of high-impact social media assets, or a global animated campaign.

For nearly twenty years, the world's leading agencies, publishers, cultural institutions, and brands have trusted us to bring their most ambitious work to life.

https://www.dutchuncle.co.uk
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