The Garden According to Charlotte Mendelson – Illustrated by Clara  Dupré

Each fortnight Charlotte Mendelson’s gardening column in The Observer is accompanied by an illustration by Clara Dupré, whose satirical illustrations give visual life to Charlotte’s witty botanical miseries and triumphs.

Reading Charlotte Mendelson’s column, you kinda realise she does not write of her gardening adventures like a typical guide. She writes these small plays, where the plants are the cast.

Roses are proud old dames, tomatoes are tricky flings, and birds? Birds scare her — until they don’t.

It seems like she steps into the garden like a comic steps up to the mic: a bit shy, a bit amused, but all in for our entertainment.

See below for recent articles…


I love plants, but didn’t want to spend the night in a garden centre

Charlotte Mendelson recounts her accidental entrapment at a garden centre after-hours: the doors and exits shut unexpectedly, trapping her inside with empty baskets, fallen secateurs, and no staff in sight.

As she panics, she calls for help until two strangers—Olly and Anna—alert the fire brigade.

Eventually, firefighters break her out using a ladder under the locked gate. She emerges shaken but safe, harbors gratitude for her rescuers, and reflects on the absurdity and mild embarrassment of her ordeal


I always thought roses were the absolute worst – until…

Charlotte confesses a long‑standing disdain for roses, only to find herself seduced after research into English‑rose breeding and scents.

Her grudging affection blossoms—and she orders catalogues and possibly a rose named Desdemona. The Observer


I was lifted, distracted and full of brave ideas at Kew

Charlotte Mendelson visits Kew Gardens with mixed reluctance. Once there, the grandeur of palm houses, rare plant collections and art installations transforms her skepticism into awe—and she buys a membership.


Have you seen my hair? Nothing pecky with claws flies near me

Charlotte reflects on her avian aversion—from childhood RSPB membership to a chance kestrel encounter on a manure‑laden allotment. A trip to Australia and kookaburras changes her tune; she now finds feathers thrilling though still avoids birds themselves. The Observer


Tomatoes are sexy, difficult plants. But I love them

Her love affair with tomatoes is dramatic: colours, scents and names seduce her, but plant blight and flop‑ridden seedlings teach her heartbreak. Still, she persists with six blight‑resistant Cocktail Crush plants.


Clara Dupré’s illustrations bring a sly visual punctuation to Charlotte’s prose—delicately funny, slightly wild, always botanical. Together they root the absurd in the verdant.

Dutch Uncle

Dutch Uncle is an award-winning international illustration and animation agency founded in 2006 by Helen Cowley. With offices in London, New York, and Tokyo, we operate across every major timezone, connecting the world's most ambitious brands with exceptional global creative talent.

Over nearly two decades, Dutch Uncle have built one of the most decorated artist rosters in the industry. Our artists have produced Gold Clio and Cannes Lions award-winning work for clients spanning fashion, luxury, fintech, tech, healthcare, and publishing. We have collaborated on prestige illustration and animation projects for global leaders, including Hermès, Burberry, Chanel, Louis Vuitton, and Rimowa, as well as Apple, Google, Mercedes, Netflix, Pfizer, AstraZeneca, The New York Times.

We represent illustrators and animation directors who lead their fields in conceptual thinking, visual intelligence, and craft. Artists whose work cuts through algorithmic sameness to deliver genuine cultural impact.

Beyond our core roster, we also draw on an international network of talent across five continents to meet the scale and complexity of any brief.

Dutch Uncle operates as a full-service creative production partner, managing everything from artist sourcing and briefing through to licensing, copyright, animation production, and final delivery.

We specialise in complex, multi-market projects that demand creative precision and seamless execution. Whether that is a single editorial commission, a suite of high-impact social media assets, or a global animated campaign.

For nearly twenty years, the world's leading agencies, publishers, cultural institutions, and brands have trusted us to bring their most ambitious work to life.

https://www.dutchuncle.co.uk
Previous
Previous

New York illustrations by Simone Massoni for Airmail.News

Next
Next

Drawing Paradise: Illustrations by Yoco Nagamiya Give Four Seasons Maui a Makeover