Debora Szpilman Illustrates The Edit for Attentive’s 2026 Black Friday Cyber Monday Campaign

Illustrator Debora Szpilman has created the hero artwork and a series of editorial spot illustrations for The Edit, Attentive’s 2026 Black Friday Cyber Monday campaign.

The illustrated campaign gives Attentive’s data-led BFCM and Cyber Week resources a distinctive visual identity built around shoppers, technology, ecommerce and the changing rhythms of online retail.

Explore Debora’s portfolio


Project: The Edit
Client: Attentive
Illustrator: Debora Szpilman
Campaign: Black Friday Cyber Monday 2026 / BFCM 2026
Illustration: Hero artwork and editorial spot illustrations
Further reading:Visit Attentive’s complete BFCM 2026 guide


What is Attentive’s The Edit?

The Edit is Attentive’s expert-vetted resource for Black Friday, Cyber Monday and Cyber Week strategy, bringing together consumer research, marketer insights, benchmarks, campaign ideas and practical guidance for brands preparing for BFCM 2026.

Structured with the visual language of a newspaper, The Edit presents its information through a masthead, large editorial headlines, ruled sections and illustrated story cards. The central message — “BFCM Facts! Zero Fluff!” — establishes the resource as a practical guide designed to help marketers plan, create and launch their Cyber Week activity with greater confidence.

The campaign covers the complete BFCM cycle. The illustrated pages shown here include advice on growing a higher-value customer list, behavioural marketing flows, pre-BFCM messaging, campaigns for early shoppers, conversion-focused BFCM campaigns and post-BFCM customer retention.

For more on the changing shopping landscape behind the campaign, Attentive’s 2026 research found that 83% of consumers begin planning holiday purchases before Black Friday and 71% expect to start shopping before Black Friday itself. Read Attentive’s 2026 Consumer Pulse findings

Who illustrated Attentive’s BFCM 2026 campaign?

Debora created the hero illustration and accompanying spot illustrations for Attentive’s The Edit.

The main artwork brings together a crowd of shoppers carrying oversized shopping bags and moving between laptops, smartphones and desktop screens. Rather than depicting ecommerce through conventional product photography or interface graphics alone, Debora turns online shopping into a busy human scene.

Her individual spot illustrations extend the concept across the campaign. Shopping bags become characters, digital controls become physical spaces and people appear to follow, carry or even rest on the technology around them.

It gives subjects such as SMS marketing, email marketing, customer segmentation, behavioural flows, ecommerce and conversion strategy a playful and immediately understandable visual language.

How are Debora’s illustrations used across The Edit?

The illustrations function as a complete editorial system rather than a single campaign image.

The large crowd scene provides the principal hero artwork, while the individual character illustrations appear alongside articles and resources throughout The Edit. This allows the visual identity to remain consistent as users move between different stages of Attentive’s BFCM planning material.

The campaign is divided into sections including “The Setup” and “The Draft.” Within these areas, Debora’s illustrations accompany subjects such as 7 Ways to Grow a Higher-Value List Before BFCM, 9 Behavioral Flows to Turn On Before BFCM, 14 Pre-BFCM Campaigns to Reach Early Shoppers, 15 BFCM Campaigns That Convert and 12 Post-BFCM Strategies to Keep the Momentum Going.

Attentive has also published separate research into the optimum timing of SMS and email campaigns during Cyber Week, based on billions of messages. Read Attentive’s BFCM SMS and email timing research

Why does editorial illustration work for a data-heavy BFCM campaign?

The Edit is built around research, statistics and marketing guidance, but its visual treatment deliberately avoids looking like a conventional corporate report.

Debora’s expressive linework and simplified characters introduce humour, movement and human behaviour into subjects that can otherwise feel heavily technical. The limited palette of orange, green, blue, yellow and black also works across both the dense hero composition and the much simpler standalone illustrations.

This balance between information design and editorial illustration makes the campaign useful as a reference for art directors and brands considering how illustration can unify a large digital content platform.

About Debora Szpilman

Debora is a Brazilian illustrator based in Paris, represented by Dutch Uncle. She studied architecture at UFRJ in Rio de Janeiro and fashion at Studio Berçot in Paris before moving into illustration full time. Movement, humour and poetry are central to her work.

Her practice spans editorial, publishing, advertising and brand commissions, with an observational approach particularly suited to subjects involving people and everyday behaviour.

For further examples of Debora’s editorial work, see her long-running illustrations connected with Jancis Robinson’s wine writing for the Financial Times. Read about Debora’s Financial Times illustration work

Where can you see Attentive’s full BFCM 2026 campaign?

The complete Attentive Black Friday Cyber Monday 2026 campaign brings together The Edit, Consumer Pulse and Marketer Pulse research, a Cyber Week checklist, campaign lookbook, webinars and further BFCM resources.

Debora’s hero and spot illustrations run throughout the campaign, creating a cohesive visual identity for Attentive’s 2026 approach to Black Friday marketing, Cyber Monday marketing, ecommerce, SMS, email and Cyber Week strategy.

Further reading:View Debora’s illustration portfolio · Explore The Edit and Attentive BFCM 2026 · Read Attentive’s 2026 holiday-shopping research

Dutch Uncle

Dutch Uncle is an award-winning international illustration and animation agency founded in 2006 by Helen Cowley. With offices in London, New York, and Tokyo, we operate across every major timezone, connecting the world's most ambitious brands with exceptional global creative talent.

Over nearly two decades, Dutch Uncle have built one of the most decorated artist rosters in the industry. Our artists have produced Gold Clio and Cannes Lions award-winning work for clients spanning fashion, luxury, fintech, tech, healthcare, and publishing. We have collaborated on prestige illustration and animation projects for global leaders, including Hermès, Burberry, Chanel, Louis Vuitton, and Rimowa, as well as Apple, Google, Mercedes, Netflix, Pfizer, AstraZeneca, The New York Times.

We represent illustrators and animation directors who lead their fields in conceptual thinking, visual intelligence, and craft. Artists whose work cuts through algorithmic sameness to deliver genuine cultural impact.

Beyond our core roster, we also draw on an international network of talent across five continents to meet the scale and complexity of any brief.

Dutch Uncle operates as a full-service creative production partner, managing everything from artist sourcing and briefing through to licensing, copyright, animation production, and final delivery.

We specialise in complex, multi-market projects that demand creative precision and seamless execution. Whether that is a single editorial commission, a suite of high-impact social media assets, or a global animated campaign.

For nearly twenty years, the world's leading agencies, publishers, cultural institutions, and brands have trusted us to bring their most ambitious work to life.

https://www.dutchuncle.co.uk
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