MSI and Uncommon Fight for Global Reproductive Choice with Powerful Imagery Illustrated by Noma Bar


I am proud to collaborate with MSI and support every woman in the world to choose what is best for them. The freedom for women to choose is crucial for their autonomy and well-being. It respects their right to make deeply personal decisions about their bodies and futures, ensuring they are happy to get into parenthood according to their own circumstances and beliefs.”
— Noma Bar

In the imminent weeks, Dame Diana Johnson MP's amendment to the Criminal Justice Bill awaits parliamentary scrutiny. Its passage would signify a monumental shift for women in England and Wales, liberating them from the threat of criminalization for terminating their pregnancies.

Through the evocative artwork of Noma Bar, known for his iconic portrayal on 'The Handmaid's Tale' cover, a poignant image emerges: a woman ensnared behind bars, emblematic of societal constraints on autonomy.

This visual narrative, slated to grace online platforms and prominent publications like The Guardian and The Times, amplifies the urgency of the impending vote, inviting reflection on the fundamental rights of women in a world still grappling with their freedoms.


Dutch Uncle

Founded in 2006 Dutch Uncle is an award winning agency with offices in London, New York and Tokyo.

We represent and source talent for companies looking to commission animation, illustration, design & data visualizations. 

Our creative management team nurtures the artists we represent by encouraging and supporting their personal development and projects. We help coordinate and produce their fine art projects including exhibitions, products and publications.

Our team has expert knowledge and experience with image licensing, copyright and trademarks and can handle the full production process from creative sign-off to the final delivery of project content.

https://www.dutchuncle.co.uk
Previous
Previous

Exploring the Creative Cosmos: Inside Christian Montenegro's Studio in Buenos Aires.

Next
Next

Illustrations for Jancis Robinson's Wine Column in the Financial Times