Tavis Coburn: Illustrating the Future of High-Speed Rail for NYTimes Kids

The New York Times Kids section is renowned for its engaging content and has featured the work of many world-renowned illustrators.

Tavis is among these contributors, recognized for integrating retro sci-fi themes with modern subjects. This combination brings the development of high-speed trains to life for young readers, placing Tavis's work alongside other esteemed illustrators NYTKids collaborators like Jillian Tamaki, Carson Ellis, and Sophie Blackall.

In the Sunday edition, Tavis's illustrations cover the history of rail travel, starting with the Tom Thumb locomotive and extending to today's high-speed trains.

Inspired by mid-20th-century science fiction, Tavis’ illustrations connect the past to the future and aligns with the ongoing narrative of progress in rail technology. This style is particularly effective for engaging young readers, encouraging them to think about the past and future of innovation.

Tavis presents the evolution of high-speed trains, illustrating Japan's bullet trains, America's Acela trains, and the international effort to develop faster, more efficient transportation methods.

His use of vibrant colors and dynamic scenes captures the significant technological advances, environmental benefits, and the excitement of traveling at high speeds.


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Dutch Uncle

Dutch Uncle is an award-winning international illustration and animation agency founded in 2006 by Helen Cowley. With offices in London, New York, and Tokyo, we operate across every major timezone, connecting the world's most ambitious brands with exceptional global creative talent.

Over nearly two decades, Dutch Uncle have built one of the most decorated artist rosters in the industry. Our artists have produced Gold Clio and Cannes Lions award-winning work for clients spanning fashion, luxury, fintech, tech, healthcare, and publishing. We have collaborated on prestige illustration and animation projects for global leaders, including Hermès, Burberry, Chanel, Louis Vuitton, and Rimowa, as well as Apple, Google, Mercedes, Netflix, Pfizer, AstraZeneca, The New York Times.

We represent illustrators and animation directors who lead their fields in conceptual thinking, visual intelligence, and craft. Artists whose work cuts through algorithmic sameness to deliver genuine cultural impact.

Beyond our core roster, we also draw on an international network of talent across five continents to meet the scale and complexity of any brief.

Dutch Uncle operates as a full-service creative production partner, managing everything from artist sourcing and briefing through to licensing, copyright, animation production, and final delivery.

We specialise in complex, multi-market projects that demand creative precision and seamless execution. Whether that is a single editorial commission, a suite of high-impact social media assets, or a global animated campaign.

For nearly twenty years, the world's leading agencies, publishers, cultural institutions, and brands have trusted us to bring their most ambitious work to life.

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