A Cabin Turned Into a Touring Art Show at 35,000 Feet

Delta Airlines and Coca-Cola worked with Wieden+Kennedy New York (https://www.wk.com) to reframe an overlooked surface: the tray table on a Boeing 767. The plan called for twelve illustrators from across the world to treat the tray as a small panel for a city. The result became a travelling gallery seen at arm’s length by every passenger.

Ping Zhu painted Shanghai through the steady pace of its street markets. Figures move between stalls. Produce and fabrics sit in straightforward arrangements. The image shows a city shaped by daily routine. Noma Bar focused on weather and mood. Stevie Gee (https://steviegee.com) reached for the familiar signs of Hollywood Boulevard. The wider group extended to artists from Amsterdam, Mexico City, Paris, São Paulo, Seoul and Tokyo.

A Global Line-Up

The full roster featured Sac Magique (https://sacmagique.com), Adam Pinsley (https://www.instagram.com/adampinsley), Skip Hursh (https://skip.hursh.co), Pedro Campiche (AkaCorleone) (https://akacorleone.com), James R. Eads (https://www.jamesreadsart.com), Alex Yanes (https://alexyanes.com), Will Bryant (https://willbryantplz.com), Yulia Brodskaya (https://www.artyulia.com) and Paola Gracey (https://www.instagram.com/paolagracey).

Alison Berk (https://www.helloaliberk.com/delta-airlines-tray-art-project) oversaw the activation and production process. She worked between the agency, brand partners and artists to guide the project from briefing through fabrication and installation.

From Airplane Seat to Airport Hall

On board, the trays offered a sequence of scenes that passengers encountered without searching for them. The surface became a point of contact with cities represented through simple marks and measured compositions.

The full series later appeared at Hartsfield–Jackson Atlanta International Airport (https://www.atl.com). The move from cabin hardware to a public exhibition showed how well the project held its structure across different scales.

The Tray Art Project treated illustration as part of the travel experience.

Each work kept close to observation and turned a standard tray into a small window onto another place.

Dutch Uncle

Dutch Uncle is an award-winning international illustration and animation agency founded in 2006 by Helen Cowley. With offices in London, New York, and Tokyo, we operate across every major timezone, connecting the world's most ambitious brands with exceptional global creative talent.

Over nearly two decades, Dutch Uncle have built one of the most decorated artist rosters in the industry. Our artists have produced Gold Clio and Cannes Lions award-winning work for clients spanning fashion, luxury, fintech, tech, healthcare, and publishing. We have collaborated on prestige illustration and animation projects for global leaders, including Hermès, Burberry, Chanel, Louis Vuitton, and Rimowa, as well as Apple, Google, Mercedes, Netflix, Pfizer, AstraZeneca, The New York Times.

We represent illustrators and animation directors who lead their fields in conceptual thinking, visual intelligence, and craft. Artists whose work cuts through algorithmic sameness to deliver genuine cultural impact.

Beyond our core roster, we also draw on an international network of talent across five continents to meet the scale and complexity of any brief.

Dutch Uncle operates as a full-service creative production partner, managing everything from artist sourcing and briefing through to licensing, copyright, animation production, and final delivery.

We specialise in complex, multi-market projects that demand creative precision and seamless execution. Whether that is a single editorial commission, a suite of high-impact social media assets, or a global animated campaign.

For nearly twenty years, the world's leading agencies, publishers, cultural institutions, and brands have trusted us to bring their most ambitious work to life.

https://www.dutchuncle.co.uk
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