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The Dutch Uncle Journal is a considered study of illustration, design, and animation in practice, how they are conceived, commissioned and realised in the wider world.
This is where we share the thinking behind our latest projects and engage with the wider shifts shaping visual culture, from the resurgence of handmade texture to the ways art redefines the spaces we inhabit.
A considered collection of work and ideas from the front line of contemporary illustration.
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Filter By Artist
Brian Rea / Noma Bar / Satoshi Hashimoto / Javi Aznarez / Debora Szpilman / Simone Massoni / Ping Zhu / Klaus Kremmerz / Lucas Varela / Charlotte Trounce / Marc Majewski / Kustaa Saksi / Alessandro Gottardo (SHOUT) / YOCO / Hsiao-Ron Cheng / Jisu Choi / Graham Roumieu / Tavis Coburn / Joel Holland / Robert Nicol (MA RCA) / Clara Dupré / Marc Burckhardt / Aesthetic Apparatus / Jon Gray (Gray318) / Christian Montenegro / LAPRISAMATA / Gaku Nakagawa / Adam McCauley
Noma Bar - London Art Power List
Noma Bar joins the London Art Power List, a well-earned recognition of his clear, intelligent visual language. Alongside leading voices shaping London’s art scene, Noma’s influence continues to grow through work that rewards a second look.
The Sound of Success: Noma Bar Animates JKBX’s “Investments That Perform”
Noma Bar directs a striking animation for JKBX, transforming music royalties into a visual asset class. Produced by DutchUncle.Studio, the campaign uses Noma’s signature negative space to merge emotional resonance with financial growth. It is a minimalist masterclass, distilling complex rights into elegant, rhythmic transitions that define modern investment.
Noma Bar x Foscarini (NYCxDESIGN)
At NYCxDESIGN, Noma Bar transforms Foscarini’s SoHo showroom into a spatial illusion. His signature double-image compositions extend into light and movement, where forms shift as you move. It’s a confident, minimal collaboration that turns illustration into experience.
The Chinese Variable - Cover art by Noma Bar for Internazionale Magazine
Noma Bar’s cover for Internazionale captures the global fallout of Beijing’s sudden departure from its "Zero-Covid" policy. Through masterful negative space, Noma visualizes the "Chinese Variable"—the tension between a staggering human toll and the inevitable economic ripples. It is a clinical, poignant distillation of policy shifting into a global crisis.